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Literature Text
I collect every manifestation
of your regard
almost obsessively, hoarding
the evidence, making my love
a crime scene.
There's where the first blood was spilled:
an inside joke was born and you would give me
that secret smile.
I pocketed your hesitancy to end our meetings
as if those inner pangs were palmed notes,
thinking "Does he?"
I stretched yellow tape around
every flicker of your eyes,
every fond movement of your brow—
I guarded my memories against contamination
and hoped against hope
that I could prove this to you.
Witnesses abound.
They make our story difficult
with their contradictory theories.
I pace our scenes, replay conversations,
lay out our timeline.
The longer we let what we know lay
unattended in the weeds
the more obscure this will become;
stand up and speak.
of your regard
almost obsessively, hoarding
the evidence, making my love
a crime scene.
There's where the first blood was spilled:
an inside joke was born and you would give me
that secret smile.
I pocketed your hesitancy to end our meetings
as if those inner pangs were palmed notes,
thinking "Does he?"
I stretched yellow tape around
every flicker of your eyes,
every fond movement of your brow—
I guarded my memories against contamination
and hoped against hope
that I could prove this to you.
Witnesses abound.
They make our story difficult
with their contradictory theories.
I pace our scenes, replay conversations,
lay out our timeline.
The longer we let what we know lay
unattended in the weeds
the more obscure this will become;
stand up and speak.
Literature
Sorrowbird
I watched him flap helplessly between the teeth of a barbwire fence, screeching for help.
"Papa, look Papa! A boy!"
My papa stood dazed for a moment, dust billowing at his legs, his eyes teetering along the field. It wasn't until later that evening he told me he hadn't understood what I had seen. What he had seen.
With grass tickling the backsides of my legs, I bounded toward the boy, "What are you doing? Are you okay?"
As I approached him, I felt his skittish eyes rake across my every movement. With his ten-year-old arms slung inside the gaping maw of a fence and darkened feathers pasted along the creases of his face; he looked squarely
Literature
Leaving Southampton
She was in the kitchen when he stumbled in noisily, tripping as he went past the shelves and catching the edge of the table to keep himself from falling.
Pretending not to hear the stream of curses that followed, she kept her eyes fixed on the dishes, letting her hand trail in the soapy water. There was a loud scraping of wood against grimy concrete as he drew a chair and collapsed into it. At this she looked up, and after a moment's hesitation, she said, unnecessarily, "You've been drinking."
He clutched his head and said nothing. He hadn't shaved in weeks and stank of
Literature
Dead Bodies Don't Cry
i.
You are born with twisted feet
and a pockmark on your chest.
Your poor mother is drenched in sweat,
straining to breathe,
thanking God that it's over.
She cradles you in her arms
and kisses your forehead with curved lips.
Your father reaches out to hold you
but has to pause because
your mother will not release you yet.
The family pays a visit,
hovering in awe, praising, laughing.
You look around for someone to blame.
ii.
When you learn to write
you use all the wrong letters
because you feel sorry for the ones
that get left out, like X and Z.
And you wear mismatched clothes
because you don't like the idea that
only certain colors "go t
Suggested Collections
A collab with *toxic-nebulae, a deviant to be watched for sure.
Hers is here:
Hers is here:
on trialI collect every manifestation
of your regard
almost obsessively, hoarding
the evidence, making my love
a crime scene.
There's where the first blood was spilled:
an inside joke was born and you would give me
that secret smile.
I pocketed your hesitancy to end our meetings
as if those inner pangs were palmed notes,
thinking "Does he?"
I stretched yellow tape around
every flicker of your eyes,
every fond movement of your brow—
I guarded my memories against contamination
and hoped against hope
that I could prove this to you.
Witnesses abound.
They make our story difficult
with their contradictory theories.
I pace our scenes, replay conversations,
lay out our timeline.
The longer we let what we know lay
unattended in the weeds
the more obscure this will become;
stand up and speak.
© 2013 - 2024 crossing-ariel
Comments14
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you're both magical! beautiful piece!